The following comments discuss the relationship of the design of the worship space to the actions that take place there. The function and significance of these actions provide the needed guidelines for liturgical architecture.
The church building and setting for the liturgical assembly. Nothing more, but nothing less. Liturgical worship happens in space, and space is shaped into place by the meaning people discover within it. Jews and Christians have shaped space into place by discovering that the Creator abides throughout creation. Christians especially can never forget the spatial concreteness the Incarnation entails. God did not become a movement, a concept, an ideal, or even a committee, but a man of flesh and bone with a parentage, friends, a language, a country, a home. He inhabited not just a time but places, streets, rooms, countrysides, and by his presence in the flesh he changed them all. The memory of this has never died because his continuing presence by grace, faith, and sacrament still does the same in the world through his body, which is the church, enfleshed locally in the liturgical assembly.
It goes counter to Christian instinct, therefore, that the place in which the church assembles should be devoid of all evidence of his presence or that this presence should be regarded as temporary, capricious, or discrete so as not to restrict him or inconvenience the assembly. He restricted himself by becoming incarnate, and the assembly’s only inconvenience is his real absence.
Raw space becomes liturgical place through the change his presence by grace, faith, and sacrament causes. Liturgical place is thus not a monument to the pastor’s tastes or the locale in which the assembly feels most comfortable. Jesus Christ’s incarnate presence caused notable discomfort even for those who loved him best, and he is reported to have resorted to violence on one occasion when faced with the obduracy of the temple clergy’s tastes. Liturgical place belongs to the assembly only because the space it occupies is first his. He alone makes it a place by specifying its meaning as distinct from all others. To this specification the assembly can only be obedient; for it the assembly can only pray even as it cooperates with him by faith in its specification.
What the church building shelters and gives setting for is the faithful assembly, the church, in all its rich diversity of orders from catechumen to penitent, from youngest server to eldest bishop. As it meets for worship of the Source and Redeemer of all, the assembly is the fundamental sacrament of God’s pleasure in Christ on earth. The eucharistic food and drink are the sacred symbol of this ecclesial reality, which Paul calls simply Christ’s body. Christian instinct has been to house this assembly as elegantly as possible, avoiding tents, bedrooms, and school basements.
The assembly uses its place to do something in. This is the liturgy, by which the assembly celebrates the nuptials of all things with their Creator. Because the celebration outstrips being merely an instruction, a pageant, a meditation, a preachment, or an act of therapy, the assembly, as a rule, has kept its place open for movement on the part of all. Furniture is used for a public purpose and for those who find it difficult to stand or move.
The strong and elemental openness of liturgical place makes for dynamism and interest. It is a vigorous arena for conducting public business in which petitions are heard, contracts entered into, relationships witnessed, orations declaimed, initiations consummated, vows taken, authority exercised, laws promulgated, images venerated, values affirmed, banquets attended, votes cast, the dead waked, the Word deliberated, and parades cheered. It is acoustically sonorous, rarely vacant of sound or motion. It possesses a certain disciplined self-confidence as the center of community life both sacred and secular. It is the Italian piazza, the Roman forum, the Yankee town green, Red Square moved under roof and used for the business of faith. It is not a carpeted bedroom where faith may recline privately with the Sunday papers.
Find the most serviceable places for the altar, font, and chair and leave them there. Altars on wheels, fonts that collapse, and presidential chairs that fold away do not free but neuter liturgical place. Since crucial values are perennial rather than disposable, they flock with usage to sustained focal points and thus help to reduce raw space into human place. Crucial values so incarnated become roots for people’s lives. Gymnasia rarely play a profound role in most people’s maintenance of a secure identity.
Altar and font normally should be fixed, elemental, and powerful in their simplicity, free-standing to allow access from all sides, and worthy of the assembly that surrounds them. The amount of space surrounding each should be scaled to the size of the assembly. Neither altar nor font should be so close to the other as to compete for attention or to confuse each other’s purpose, dignity, and quite different kinds of liturgy. The altar is a Table to dine upon. The font is a pool to bathe in, a womb to be born from, a tomb to be buried in. Bathing and dining areas are rarely found in the same room, except in churches.
The presidential chair should be modest but not trivial. It is best located not primarily in reference to the altar but to the assembly, perhaps in an open area in the nave of the church facing both the lectern and altar along with the rest of the assembly. This would shift the ceremonial focus of the liturgy, except for the eucharistic prayer, into the midst of the assembly itself, where it seems to belong given the nature of Christian worship. Outside baptism and the eucharistic banquet, the form this worship normally takes is that of a liturgy of the Word in which the Word is heard and responded to by the whole assembly, ministers included. Locating the ministerial area and the president’s chair in the midst of the assembly may thus be the most versatile arrangement.
As the name implies, the lectern is a reading stand rather than a shrine competing with font and altar. The shrine of the gospel book is the altar. The shrine of the gospel itself is the life of the faithful assembly that celebrates the Word liturgically. The gospel book, which is “sacramental” of all this, is constantly in motion, being carried, held, opened, read from, closed, and laid rather than left somewhere behind votive lights or under lock and key.
The altar and the baptismal font are the primary spatial foci of the liturgy. The altar Table is kept free of contraptions such as elaborate bookstands, pots, cruets, plastic things, electrical apparatus, aids to piety, and the efforts of floral decorators. The book of the Word and the sacrament of the Word are adornment enough.
The baptismal area is kept free of rumpled vestments, cotton wads, stacks of reading material, and folding chairs. The pool itself is kept clean. It contains what is called “living water” not because things grow in it but because it moves to give life to those who lie in death’s bonds.
Liturgical things are designed for the assembly’s purpose. The church building houses the assembly. It is neither a museum for ecclesiastical art nor a pious attic. All it contains should possess a sober splendor congruent with the assembly and its sacred intent.
Bread and wine should be just that, not plastic disks and grape juice, not corn chips and lemonade. The assembly uses bread and wine as food and drink in the Eucharist. These should be present in form, quality, and quantity to correspond with a banquet’s usual liberality, keeping in mind, however, that this banquet’s purpose is not to fill bellies but to give thanks to the Source and Redeemer of all things. The Eucharist, like the Supper that remains its prototype, fills one with more than food, rejoices hearts with more than wine.
Cups, plates, flagons, and bread boxes should be ample. Cluttering the altar with many small cups is logistically and symbolically inelegant. Use one cup of some significance together with a clear glass or crystal flagon large enough to fill smaller cups for Communion later. The same principle holds for the bread plate: Use a single large one from which bread can be transferred to smaller plates for Communion later. The Eucharist that becomes a fast-food operation might be compared to a baptism that proceeds from eye-droppers or aerosol cans.
Vestments are sacred garments rather than costumes or billboards. They are meant to designate certain ministers in their liturgical function by clothing creatures in beauty. Their symbolic strength comes not from their decoration but from their texture, form, and color. The basic vestment of major ministers is the stole, which bishops and presbyters wear around the neck and deacons wear over the left shoulder. No other ministers wear stoles in the Roman Rite. Ministers ordained to lesser orders may wear albs. When laypersons carry out liturgical duties it is more fitting that they wear their own clothes as members of the assembly, which is no mean dignity in itself. Dalmatic, chasuble, cope, and miter can be handsome garments and should be worn as complements to the assembly whose purpose at worship is never merely utilitarian but festive.
Books are means rather than ends. Even so, they should be worthy of the Word they record and of those among whom the Word has taken flesh.
Good images are neither accidents nor fantasies but knowledgeable accomplishments that go beyond what can be observed either now or in time past. As John Meagher says, they are meant to evoke the presence of mysteries the mind has glimpsed, to remind us of the ancestral heritage of worship, to tease us out of mere thought lest we forget that history does not fence in truth, that we may not substitute critical understanding for reverence, that our knowledge is not so complete or accomplished as we often assume, and above all that our memories mix with our longings and our joys to put us in touch with our deepest sense of home.
Churches are not carpeted. While rugs and runners may occasionally enhance liturgical place by adding festal color, carpeting in quantity wearies the eye and muffles sound. Even with a good electronic sound system, which is a rarity, a carpeted church often has all the acoustical vigor of an elevator. The ambiance of a carpeted church, moreover, is too soft for the liturgy, which needs hardness, sonority, and a certain bracing discomfort, much like the Gospel itself. Liturgical ambiance must challenge, for one comes to the liturgy to transact the public business of death and life rather than to be tucked in with fables and featherpuffs. The liturgy challenges what Quentin Crisp calls the general notion of Christianity as a consolatory religion, as something nice that Jesus of Nazareth could say to those who turn to him for comfort.
Furniture is significant and kept to a minimum. Pews, which entered liturgical place only recently, nail the assembly down, proclaiming that the liturgy is not a common action but a preachment perpetuated upon the seated, an ecclesiastical opera done by virtuosi for a paying audience. Pews distance the congregation, disenfranchise the faithful, and rend the assembly. Filling a church with immoveable pews is similar to placing bleachers directly on a basketball court: It not only interferes with movement but changes the event into something entirely different. Pews are never mentioned in Roman rubrics, nor is there any record that being without pews has ever killed Christians in significant numbers.
Banners are decorative images, not ideological broadsides or opportunities for tricky piety. Rather than a festal gesture for the assembly, banners often are a form of disposable ecclesiastical art bearing disposable thoughts which foster disposable piety. Such banners should be disposed of.